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ETERNAL MIDNIGHT
8/19, No.1
While this snippet of ivory cardstock is humble
in its dimensions, roughly the length and width of
a human woman's hand, the work painted thereupon
triumphs with magnificent detail despite the small
scale. As wispy brush strokes of impressionism
collide with a penchant for pointillism, the
portrait of a pearly, sapient skull comes into cohesion,
as it sits on a grassy meadow plane just before a sunlit
horizon. Regardless of the apparent daytime hour,
the empty eye sockets of the skull, along with that
inverted heart of a nose and the slivers of negative
space between the teeth, are filled with inky,
swirling darkness. The minutest freckles of purple,
black and jade pigments coalesce within those hollows,
whirling together to create the illusion of
depthless voids. The bony cranium, then, seems to
function as a kind of scope into eternal midnight, or
an alternate plane of everlasting darkness. The prayer
card is afforded borders of glossy, obsidian hued
brocade as finishing touches, and a tiny 'M' printed
in the left bottom corner.
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WHERE OTHERS HAVE FLED
10/1, No.2
Only the most meticulous attention and the
tiniest of hands could manage this miniature
work of art. Painted on a little, rectangular
slip of parchment, no more than five inches tall
and three inches wide, this prayer card is
painstakingly detailed, indeed, depicting an
a teensy autumnal scene.
A wash of vivid blue creates the chill of an
October sky across the upper half of the card,
while the bottom is made of stippled sienna,
ochre and umber colored strokes to create a
tilled field, ripe with pumpkins. Although a
straw-stuffed scarecrow stands in the
right corner of the frame, dutifully warding off
murders of crows, it has not been successful
in keeping away a group of ravens. Too
shrewd and brave to be spooked by a farmer's
tricks, the ravens feast where others have fled.
The prayer card is afforded borders of glossy, obsidian hued brocade as finishing touches, and a tiny 'M' printed in the left bottom corner.
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